Schroeder Romero & Shredder

2012

On Location: Art Basel Miami Beach Week

by Meredith Mendelsohn, 1stdibs, November 29, 2012
Susan Graham: Artist Uses Porcelain, Sugar to Make Industrial Goods Seem Dainty

By Lillian Cox, EncinitasPatch, October 12, 2012
Susan Graham residency at Lux has memorable outcome

Written by James Chute, U-T San Diego, October 12, 2012
An Interview with Susan Graham

by Robin Tung, DAILYSERVING, October 12, 2012
Dark and Light Combine in Brooklyn Sculptor’s Work at Lux

by Patricia Morris Buckley, North County Times, October 2, 2012
Sweet and Scary at Lux Art Institute

by James Chute, U-T San Diego, October 2, 2012
Laurel Roth’s Weird, Wonderful Pigeon Sweaters

by John Metcalfe, The Atlantic Cities, August 16, 2012
Art Secrets: A Window by Patrick Jacobs and A Feather by Ted Victoria

by David, design milk, July 18, 2012
Still Life: Photographs on Glass - Schroeder Romero & Shredder

Orient Express, July 17, 2012
Michael Kolster – Making a Glass Wall

fotosavant.com, July 6, 2012
Language Undefined One-Line Reviews: Our Staff’s Pithy Takes on the Mono-ha Retrospective, Summer’s

by Shane Ferro, Artinfo, June 29, 2012
Jean Hélion Five Decades

by James Panero, Wall Street Journal, June 23, 2012
Summer Camp

Time Out New York, June 21, 2012
Permanent Transformation: Jean Hélion at Schroeder Romero & Shredder

by John Goodrich, artcritical, June 18, 2012
Helion’s Suave Nudes: Review

By Lance Esplund, Bloomberg, May 29, 2012
Critics’ Picks for the Week of May 24, 2012

by John Goodrich, CityArts, May 22, 2012
Jean Hélion at Schroeder Romero & Shredder

by David Cohen, artcritical, May 2, 2012
4.20.12 — Commodity Fetish

by John Haber, haberarts.com, May 2, 2012
Reproduction of Scott Hunt’s “Incubus” and “Nocturne” in Harper’s Magazine

Harper's Magazine , April 17, 2012
Galleries: Detroit Redux

by Wayne Northcross, hyperallergic.com, March 5, 2012
Then Darkness Fell Macabre drawings modeled after discarded photographs from Scott Hunt

by Jonah Samson, coolhunting.com, February 29, 2012
Scott Hunt’s “Then the Darkness Fell” at Schroeder Romero & Shredder

by Christina von Messling, studiovisit.com, February 28, 2012
Reproduction of Ken Weaver’s “Requiem for the Immortal: The Purity of Vengeance” in Zing Magazine.

Zing Magazine, February 8, 2012
Latest News and Views: 1.30.12 — Detroit Re-redux

By John Haber , haberarts.com, February 2, 2012
Frank Schwere Shows in New York

by Jane O'Sullivan , Australian Art Collector , January 20, 2012
Eva Zeisel Survived Stalin, Nazis, Created Beauty: Appreciation

by Lance Esplund, bloomberg.com, January 5, 2012

2011

Editors Pick from Miami: Karin Waskiewicz at Schroeder Romero & Shredder

by David Cohen, artcritical.com, December 7, 2011
A Collaborative Process: Laurel Roth & Andy Diaz Hope

http://mixingreality.com/, November 12, 2011
Out and About: Chelsea Edition

by Mark Barry, ionarts.com, November 12, 2011
Crazy Lady: Schroeder Romero & Shredder

by Chris Bors, artillerymag.com, November 11, 2011
E/AB 2011: Hit It! The Editions / Artists Books Fair in Chelsea

by Tony Fitzpatrick, artnet.com, November 5, 2011
Comic Relief: The boundary between fine art and graphic novels has grown increasingly porous

by Carolina A. Miranda, ARTnews, October 11, 2011
“Old,” “Crazy” and “Hysterical.” Is That All There Is?

by G. Roger Denson, huffingtonpost.com , October 5, 2011
Art Platform L.A. FAIR LOS ANGELES

by Deborah Ripley, artnet.com, October 5, 2011
The Madwoman in the Gallery

By John Haber, haberarts.com in New York, September 23, 2011
Houston Fine Art Fair HAPPY TRAILS IN TEXAS

by Brook S. Mason, artnet.com, September 23, 2011
Art: Crazy Lady

Time Out New York, September 20, 2011
Mike Waugh: Artist to Watch

by Howard Hurst, The Art Economist , September 7, 2011
When Bad is Good: Creativity and the Downturn

by Claire Lieberman, Art Experience NYC, September 5, 2011
Tweets from Tahrir

by Sally Singer, T: The New York Times Style Magazine, September 5, 2011
Goings On About Town: Art “The Tiger and the Sunflower”

by Peter Schjeldahl, The New Yorker, July 26, 2011
Soaring Forms and Mythology in the Flesh

by Lance Esplund, The Wall Street Journal, June 11, 2011
This Week: Must-See Arts in the City

by Carolina A. Miranda, WNYC.org, April 21, 2011
PICK: Eric Heist, Monuments

ArtCat, January 27, 2011
This Week: Must-See Arts in the City

by Carolina A. Miranda, WNYC.org, January 27, 2011
ART IN REVIEW: ‘VIVID’ and ‘PAVERS’

by Roberta Smith, The New York Times, January 20, 2011
Opens Jan 27: Nickel Empire: Coney Island Photographs 1898–1948

by Tricia Vita, Amusing the Zillion, January 19, 2011
TOP PICK Vivid: Female Currents in Painting / Pavers

ArtCat, January 18, 2011
Pavers

by John Goodrich, City Arts, January 12, 2011
Vivid: Female Currents in Painting Schroeder Romero & Shredder, New York

by Jenny Jaskey, Art Lies, January 7, 2011

2010

Girls, Girls, Girls!

by Bradley Rubenstein, Culture Catch, December 24, 2010
“Vivid: Female Currents in Painting”

Time Out New York, December 20, 2010
“Vivid: Female Currents in Painting” at Schroeder Romero & Shredder

The Huffington Post, December 20, 2010
Painting of the Week: Lucky (Mr. Torso)

by Sharon Butler, Two Coats o Paint, December 16, 2010
X Marks the Spot: Vivid, Pavers, Mendieta

by Joanne Mattera, November 26, 2010
This Week: Must-See Arts in the City

by Carolina A. Miranda, WNYC.org, November 19, 2010
Profiles: Mark Shortliffe

Art in America Online, November 9, 2010
Shows to See

by David Cohen, NY Sun, November 7, 2010
Critics’ Picks: Brice Brown and “Sèvres and Savage”

by Alpesh Kantilal Patel, Artforum, October 27, 2010
Schroeder Romero & Shredder Open New Space

The Art Newspaper, September 17, 2010
How Twitter Got Me Started in Art-Collecting Game for Just $20

by Katya Kazakina, Bloomberg, March 5, 2010
New Museum Suicide Drawing Can Be Yours

ARTINFO, January 15, 2010
#class Exhibit Challenges New Museum Show

by Candace Jackson, Speakeasy - The Wall Street Journal, January 1, 2010
Butterflies, honeybees, and even centipedes are turning up in artwork—and, in some cases, helping to

by Carolina A. Miranda, Artnews, January 1, 2010

2009

Ten Stories for 2009

artnet, December 28, 2009
William Powhida in A Tale of Three Covers

by Steven Kaplan, post.thing.net, December 25, 2009
Unearthed Classics and Reinvented Forms: The Best Art of 2009

by Jerry Saltz, New York Magazine, December 12, 2009
Lost in Miami

by Ben Davis, artnet, December 11, 2009
Tweaking the Big-Money Art World on Its Own Turf

by Damien Cave, The New York Times, December 6, 2009
New Museum Brouhaha Goes Supernova

by W. Robinson, artnet, November 12, 2009
Dealers Rethink Strategies for Art Fairs

by Carol Kino, Art in America, February 27, 2009
Hypodermic Syringe Chandelier

Neatorama, January 27, 2009

2004

ART IN REVIEW; ‘Face Off’

by Holland Cotter, The New York Times, November 26, 2004

November 29, 2012

On Location: Art Basel Miami Beach Week

by Meredith Mendelsohn, 1stdibs

http://www.1stdibs.com/introspective/on_location/art_basel_miami_beach_week/?sid=3176

excerpt from article:

SCHROEDER ROMERO SHREDDER

A close look reveals that Michael Waugh's ink-on-Mylar triptych Political Economy (The Wealth of Nations, parts 19, 20, & 21), 2012 (detail), is actually composed of handwriting - specifically, text transcribed from Adam Smith's classic 18th-century examination of industrialization and capitalism. "The simple trick of making an image out of words presents a visual field that hurts the eyes with its complexity," says gallery principal Lisa Schroeder. "That elicits our empathy for its painful laboriousness, and raises pointed questions."